When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
Amateur footage of the main sights and buildings in the centre of Ayr, and shots of Alloway.
Manufacture of components for Black and Decker tools. [Incomplete]
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
Shopping in Glasgow. Fruit and vegetables being selected for delivery to local stores.
A survey of Aberdeen's industries, including shipbuilding, granite quarrying, fishing, papermaking, textiles and light engineering.
The Gathering at Glenfinnan in the Highlands to mark the 200th anniversary of raising the standard of James VIII of Scotland and III of England.
Presentation of Brussels by the puppets Toone and Woltje.
Nach einer Umweltkatastrophe breitet sich der (fiktive) bolivianische Salzsee Diablo Blanco immer weiter aus und bedroht die Lebensräume von Menschen und Tieren. Im Auftrag der Vereinten Nationen sol...
An illustration of the various outdoor activities by youth groups at Glenmore Lodge in the Cairngorms.
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch �...
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...